|
Peter
Michael
Adams
Curriculum Vitae
|
Solo and Group
Exhibitions
|
| 2000 |
Colonial to Contemporary, Powerhouse Museum,
Sydney, NSW |
| 1999 |
En Plein Art, Tjibaou Cultural Centre, New
Caledonia |
| 1998 |
Earthlinks, Centre for Contemporary Craft,
Sydney, NSW (solo) |
| |
Nature as Object, Art Gallery of Western Australia,
Perth, WA |
| 1997 |
Caulfield Arts Centre Complex, Melbourne,
Victoria (solo) |
| 1995 |
Conservation by Design, World Forestry Centre,
Portland, Oregon (travelling) |
| |
Artists Make Furniture, University of Wollongong,
Wollongong, NSW |
| 1993 |
Tasmania Trust Collection Exhibition, Long
Gallery, Hobart |
| |
Conservation by Design, Rhode Island School
of Design, Providence, RI |
| 1992 |
Penland Overlook, Asheville Art Museum, Asheville,
North Carolina |
| 1991 |
Propositions, Tasmania Art Museum, Hobart,
Tasmania |
| |
Forest Translations, Hartz Gallery, Geeveston,
Tasmania |
| |
Forestry Commission Furniture Exhibition,
City Hall, Hobart, Tasmania |
| 1990 |
Lecturer's Exhibition, Plimsoll Gallery, Hobart,
Tasmania |
| 1989 |
The Huon Factor, Queen Victoria Museum, Launceston,
Tasmania |
| |
The Huon Factor, Plimsoll Gallery, Hobart,
Tasmania |
| 1988 |
Designing Distinctive Detail, Salamanca Gallery,
Hobart, Tasmania |
| |
A Place for Art, Plimsoll Gallery, Hobart,
Tasmania |
| |
Australian Craft Exhibition, NSW Craft Gallery,
Sydney, NSW |
| |
Sydney Furniture Expo '88, Darling Harbour,
Sydney, NSW |
| 1987 |
Syllogisms, Centre for the Arts, Univ. of
Tasmania, Hobart, Tasmania |
| 1986 |
Distlefink Gallery, Melbourne, Victoria (solo)
|
| |
Meat Market Craft Centre, Melbourne, Victoria
|
| 1984 |
Benchmarks Gallery, Washington D.C. (solo)
|
| |
Hodges/Taylor Gallery, Charlotte, North Carolina
(solo) |
| 1983 |
Kohler Art Center, Sheboygan, Wisconsin |
| |
Neiman-Marcus, San Francisco, California |
| |
North Carolina Museum of History, Raleigh,
North Carolina |
| 1982 |
Richard Kagan Gallery, Philadelphia, Pennsylvania
|
| |
Columbia Museums, Columbia, South Carolina
|
| |
Southeast Center for Art, Winston-Salem, North
Carolina |
| 1981 |
Gallery Ten, New York, New York (solo) |
| |
Westlake Gallery, White Plains, New York |
| |
Bevior Gallery, Rochestor, New York |
| |
Workbench Gallery, New York, New York |
| |
Piedmont Craftsmen Gallery, Winston-Salem,
North Carolina |
| 1980 |
East Tennessee State University, Johnson City,
Tennessee |
| |
Greenhill Gallery, Greensboro, North Carolina
|
| |
Appalachian Center for Crafts, Smithville,
Tennessee |
| |
Clemson University, Clemson, South Carolina
|
| 1977 |
American Craft Museum, New York, New York
|
Top of Page |
Art Prizes and
Awards
|
| 2000 |
Visiting Artist, Wood Conference
2000, Lake Emma, Saskatchewan, Canada |
| 1999 |
Visiting Artist, Tjibaou Art
Centre, New Caledonia |
| 1998 |
Visiting Artist, Jam Factory,
Adelaide, Western Australia |
| 1993 |
Australian Council Fellowship
|
| 1985 |
National Endowment for the Arts
(USA), Fellowship Grant |
| 1981 |
Visiting Artist, Art Park, Lewiston,
New York |
Top of Page |
Public
Collections
|
| 1999 |
Powerhouse Museum, Sydney, NSW,
Australia |
| |
Museum and Art Gallery of Western
Australia, Perth, WA, Australia |
| |
Boston Museum of Fine Arts, Boston,
Massachusetts, USA |
| |
St. Louis Art Museum, St. Louis,
Missouri, USA |
| |
North Carolina Dept. of Commerce,
Charlotte, North Carolina, USA |
| |
The Tasmanian Wood Design Collection,
Hobart, Tasmania, Australia |
| |
Findhorn Foundation, Forres,
Scotland |
| |
Tjibaou Cultural Centre, Noumea,
New Caledonia |
Top of Page |
Published
|
| 2000 |
Grune Landschaften,Helen & Newtown
Harrison, Expo 2000, Hanover |
| 1999 |
World Sculpture News, Winter
1999 |
| |
Island, No. 77 |
| 1998 |
Craft Arts International, No.42
|
| |
Vogue Living, November |
| |
Australian Wood Review, No. 20
|
| |
Forty Degrees South, No.10 |
| |
The Australian Women's Weekly,
December |
| |
Object Magazine, issue #4/98
|
| |
Timber in Context, Anne-Marie
Willis and Cameron Tonkin |
| 1997 |
The Australian Financial Review
Magazine, November |
| |
Business Review Weekly, August
4 |
| 1996 |
Architectural Review Australia,
Autumn issue |
| |
Natur (German magazine), July
|
| 1995 |
Shaping Space, Paul Zelanski
and Mary Pat Fisher |
| 1993 |
American Woodworker magazine,
February |
| 1992 |
Art Papers (USA), November/December
|
| |
Australian Design Series/House
Design Annual |
| |
The Craft Movement in Australia:
A History, Grace Cochrane |
| |
Habitat Australia magazine, "Gallery"
section, July |
| 1989 |
Modern Australian Furniture,
Michael Bogle |
| |
Designing Furniture, Seth Stem
|
| 1984 |
American Craft magazine, "Portfolio
Section", August/September |
| 1983 |
Diversion magazine, "Crafts in
America", August |
| |
Design Book Three, Fine Woodworking
Magazine |
| |
The New York Times, "Home Section",
January 6 |
| 1982 |
Interior Design magazine, "Collections",
July |
| 1981 |
Woodworking - The New Wave, Dona
Z. Meilach |
Top of Page |
Experience
and Education
|
| 1994-2001 |
Self employed sculptor |
| 1992-93 |
Research/studies Schumacher College,
England |
| 1985-91 |
Lecturer in Design, Centre for
the Arts, University of Tasmania, Hobart |
| 1979-84 |
Resident Artist, Penland School
of Craft, Penland, North Carolina |
| 1981 |
Master of Arts, Antioch University
|
| 1971-74 |
Alaska Carpentry and Cabinet
Making Center, Anchorage, Alaska |
| 1969-70 |
US Peace Corps - Korea |
| 1968 |
Bachelor of Arts, Harvard University
|
Top of Page |
|
