Artist-in-Residence

Postscript

August 12, 2005

A quick postscript to the last blog entry.

August_snowI awoke yesterday morning to snow in the hills in the Roaring Beach water catchment area. Across Storm Bay, the distant hills to the west looked like a wintry Colorado scene. Walking to the beach for my surf, there were white pockets of hail scattered throughout the sand dunes. Brrrrr.

Normally, I would be ecstatic over such a dramatic climatic event, with snow not seen this close to sea level in 19 years. Yet, the host in me frets over the contentment of any of my guests and I tend to worry too much over whether or not they are comfortable.

Kabir or, perhaps Rumi, would say something like:

When the guest is happy,
I am delirious with joy.
When the guest is unsettled,
my mood goes dark with anxiety.

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Winter artist

August 10, 2005

Occasionally, wet snow flops out of the sky onto the ground and quickly melts. Earlier, the only saving grace of being for my daily surf was that the water was warmer than the air—10C/60F versus 3C/37F. I probably looked a strange sight bobbing in the sea as the coldest day of the winter whipped up frantic waves.

But from my vantage point, when Melanie Mowinski came jogging down the beach at the end of her morning 10K run, she was the one that looked slightly out of place in what could only be seen as a rather bleak setting. Between us, we couldn’t decide who was the crazier.

melanie_treeMelanie, arrived from the East coast of America at the tail end of a very hot July only to be hit with a blast of Antarctic air just as she was getting over jet lag. Pity.

However, as a Windgrove resident artist, she does have a heated studio, heated accommodation and a very hot shower to turn to for solace. Besides, this is a return visit after being here two years ago so she knew what to expect.

From paper making to book making to water-colours, oils and wood cuts, Melanie uses the natural environment as both inspiration and contextual focus as she attempts, like many environmental artists, to help heal the human relationship to the natural world. I greatly admire her willingness to use her talents to seek transformation of the public’s perception of the environment rather than using her art as a path to fame and fortune.

tree_respect

Part of me would like the weather to be soft, windless and warm for the comfort of my guests and I, therefore, cringe a little bit each morning when the weather is a tad on the bone chilling wild side. Then again, I also know that whatever weather gets thrown at Melanie, it is a tool for learning. Set in this landscape, a very important tool, indeed.

I think she is loving living “on the edge”.

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Reflections

June 10, 2005

Reflections #One

split_R_and_reflThe reflected image of the Peace Spiral on the pond this morning as it seemingly caressed the Split Rock made me think of:

…those tiny events in our lives that have no firm basis, no longevity, yet are capable of filling our whole day with a solid sense of beauty or wonder.

The multi faceted dancing spiral in the water disappeared within minutes, but in the moment I caught its form, it shot me up with enough joy to last through the morning and into the afternoon. I carried this image with me longer than I would have carried an image of the “real” spiral. Reflections of this sort have an element of magic within them that casts their own spell.

Reflections #Two

lou_morrisHere is a photo of the current Windgrove Resident, Louise Morrison. It’s somewhat out of focus image conveys a hint of the reflective quality she is in as she uses her time here to collate into a visual diary her year in countryside Japan as an apprentice potter. She rereads an entry of four years ago and is transported back to the ever changing mountains, the balanced presentation of the exquisitely prepared food and the temple like quality of her existence among humble Buddhist potters living close to the land.

Is this a “true” reflection of what actually happened?

Does it matter? Isn’t it enough that Louise is transported into a realm that is as real as she wants to make it?

For me, the hard reality is that, like all visitors, like the spiral reflection, like the flying rainbow of a hummingbird zipping into my life for a brief second before zipping off to who knows where, Louise will be soon gone.

Sort of.

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Easy living

April 21, 2005

cheBrian Che, the current resident Windgrove artist, and I have had a string of slow, easy autumn days; mostly still and sunny with plenty of quiet time to reflect upon and create our respective art.

easy life 1easy life 2Looking through the window of Che’s studio (once I removed him), some of the smaller paintings progress along. Outside, a very large “Red” dries next to the bath.

For me, it has been exciting and informative to watch the daily/weekly process; the multiple layering required to achieve these color field landscapes. A true skill.

This learning experience is one of the rewards I receive for running the Windgrove artist-in-residence program. Hopefully, if I can sell some of Windgrove’s 100 acres (I’m still working with the local council for approval), there will be sufficient money to build four artist chalets as well as a larger multi purpose studio. That will be fun. Better yet, an important development for Windgrove.

still lifeAs for my work, I am presently carving a small “still life”. The myrtle spiral, weathered beach stick and four stones will be “set” into a piece of huon. Slow, steady, meditative work. I sit on the saw horse, chip away hundreds of tiny slivers of wood, listen to the sounds of the day, and when the mood hits, head on down to Roaring Beach for a surf. In the evening a shared meal, good conversation and a bit of a read before retiring. Life’s easy.

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Prayer pole

March 14, 2005

fire poleBrian Che – painter, sculptor, photographer – has been a resident Windgrove artist for the past three weeks. Most of his days (and nights) have been spent working on a number of paintings, but he also prepared on Roaring Beach a Prayer Pole for Peace.

This past Saturday, just on dusk, with the lightest of drizzles wetting everything but our spirits, the Pole was set alight. Saturday, the 12th of March, was chosen over the 21st (equinox) because of its being just two days past the New Moon, a symbol of new beginnings. If there had not been any clouds, we would have witnessed the slenderest outline of the growing crescent moon: faith rewarded after a period of darkness. Hope kindled anew.

Che has written:

fire pole flags

The messages of prayer poles can easily be assimilated through any of the senses.

The intent and appearance provide an understanding beyond words and offer the possibility of intuitive comprehension.

In themselves the poles are ostensibly useless things. They do not obviously help crops grow, provide shelter or keep disease away. However, by constructing these poles within the community, the builders celebrate all living beings without anticipating personal gain.

The material offered by individuals is not in itself important. That it is of personal significance is the heart of the matter, thereby ensuring the fundamental integrity of the piece.

The poles depend less on what they actually are than on the degree of attention and compassion with which you join in the experience.

The burning of the Pole took only an hour, but it was the daily preparation and rituals surrounding its making that I found most rewarding. One lasting impression was being in the water on sunset just floating on gentle waves and seeing the then white pole strongly contrasted against the darkening green landscape.

Later, as Che and I sat at its base tending the small fire that had been burning there throughout the Pole’s making, the simple beauty of it all penetrated deeply.

fire pole cheThese moments of quiet reflection, whiffs of smoke drifting by, human art forms complimenting the aesthetic surrounds, purposeful intention of doing good. It all added up to something wonderful and life enhancing. May more people experience such encounters.

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First group

January 16, 2004

risd IMG_5276For twelve years the infrastructure at Windgrove has been slowly building. A week ago today, an inaugural group of participants arrived from America’s Rhode Island School of Design to move the dream of Windgrove as a refuge for ecology and art into that of established reality.

What transpired within the artistic souls of each of us during this intense, often emotional five day residency? Is it even possible to adequately describe what happened?

The poem gives a possible clue:

Self-Portrait

It doesn’t interest me if there is one God
or many gods.
I want to know if you belong or feel
abandoned.
If you know despair or can see it in others.
I want to know
if you are prepared to live in the world
with its harsh need
to change you. If you can look back
with firm eyes
saying this is where I stand. I want to know
if you know
how to melt into that fierce heat of living
falling toward
the center of your longing. I want to know
if you are willing
to live, day by day with the consequence of love
and the bitter
unwanted passion of your sure defeat.

I have been told, in that fierce embrace, even
the gods speak of God.

David Whyte

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