The Way It Is
 
There’s a thread you follow. It goes among
things that change.  But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.
 
~ William Stafford ~

When I think about the creation of Windgrove in relation to Stafford’s poem, there has been a certain thread I’ve followed over the past 20 years. True, it has been hard to explain to others; those friends, lovers even, who wondered then wandered away, never sure of the validity of what I was pursuing. Yet, this thread has remained a relative constant whilst people, myself included, move hither and thither through the seasons of the years.

Looking more closely, I find that if I de-twine and unravel it, this thread is comprised of two strings that make up the whole; a sort of double-helix braiding.

I would label these separate strings the “red string” and the “blue string”; or, what could be called the “soul string” and the “spirit string”. And nothing better represents the visible aspect of these strings entwined than the physical structure of my current home where there is a reaching in to soul and a reaching out to spirit.

To this end, in the house’s construction and fit out, I have followed the red strand of a soulful physical sensuality and the blue strand of a spirited mental intelligence. This woven, single thread allows the house to stand in a littoral landscape/seascape/airscape that mingles deliciously between flesh and spirit.

The “spirit-blue” half of the thread was lengthened this past week when a larger satellite dish was installed to replace the smaller, slower dish, thereby, enhancing my ability to communicate across the globe through Skype and other means. A faster, bigger Mind, so to speak, with more left-hemisphere power; the external, logical, rational aspect.

At times, it is hard to imagine that my first four years at Windgrove were without radio, TV, electricity, or any type of phone. Slowly, over the years I have acquired a sufficient amount of “communications technology” to embarrass even myself when I compare what I have to what I actually need to survive.

I don’t need any of this for myself. But in trying to build Windgrove as a “refuge for learning: dialogues with nature on community, peace and healing” (as written on the Windgrove stationary’s letterhead), I have been willing to move beyond the very real, very comfortable, very sustainable, very manageable Thoreau type of existence I experienced living in the Peace Bus for eight years in order to honour and to keep following and building upon the mysterious “thread” that is Windgrove.

When people come to visit, whether for a day or a week, hopefully what they first encounter when entering Windgrove’s heart center is a feng-shui feeling of harmony inviting a welcoming comfort; where comfort is not just physical creature comforts, but where one’s soul can rest easily. This did not happen from a plan drawn up by an interior designer from some office in Sydney. Rather it employed patience, devotion, persistence, and an obligated willingness to engage with the soul of the house — this internal womb of love and nurturing — over a period of many years.

This past week I purchased a deeply red, hand knotted, 10 foot by 14 foot, wool Persian rug from Afghanistan. It feels so in place that a close friend who visited missed “seeing it”. What I love about this rug, woven by nimble fingers over a mammoth amount of hours, is that it exudes an embodied sense of crafted, cultural skills imparting a globally connected world of Afghani souls to an already soul stuffed home.

Food and wine served at the dining table is now an even richer experience. As this is a shoeless house, bare feet on the rug is a bonus treat.

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I stand by this communal bench made up of 45 individual blocks of wood. I sit down, look around, and take in the vastness of this round blue planet with its unfathomable mysteries and ask myself: “Is there ever the possibility that a departed friend might choose to visit and watch with me these never ending waves come to greet us?”

This is a question I have pondered all this week over hearing the news of the suicides of two young people: one person I had met briefly when she visited Windgrove several years ago; the other was the nephew of a friend living nearby whom I did not know.

I have been reflecting for days now on this troubling subject of youth suicide, but cannot come up with any coherent approach with which to write about it. Let me, therefore, just jot down some of the several thoughts and feelings that have coursed through me and let you, the reader, glean out of it what you will.

• Krista’s death is troubling because during her time at Windgrove she seemed confident, in charge of her life and committed to using her talents of singer/song writer and yoga teacher to help bring about social and environmental change. An empowered spiritual feminine warrior. These people are too precious to lose. An extra tragic waste, if you will.

• By coincidence, this past week I have been reading a biography of poet William Stafford written by his son Kim. One chapter — “The Lost Child” — has Kim writing about the suicide of his brother Bret, son of William:

My brother Bret was… a sensitive man, but with a crippling habit of self-sacrifice. His sweet liability surfaced early, when in junior high he announced that in lieu of any Christmas presents he would prefer that friends and family donate money to the United Nations. In high school, he served as Special Projects Chair for his class, and arranged a heroic volunteer effort that resulted in the planting of a mile of flowering cherry trees along the road between town and school — trees now tall, about twenty feet apart, with the full blossoming bounty of spring.
Riding along that road as a child in blossom time, my daughter once asked me, “Did the world thank Uncle Bret for all those trees?”
“No, little friend,” I said, “I don’t believe it did.”

A few pages later:

“By [my father’s] lead, we rarely spoke directly about what had happened. I wonder now at a family that lets this happen: we suffer a tragedy that shows us there is great need for more talk, clarity, and honesty about hard things. Might more talk have saved Bret — even awkward, difficult talk? Even with that question hanging in the air, we maintained a continuing habit of silence, all the same. It felt strange, but I know it is often so with families.”

“…..how about the boy who always
granted others their way to live,
and he gave away his whole life
till at last nothing was left for him?
Don’t tell that one.”

from “Story Time”, by William Stafford

Does peace ultimately prevail?

A friend wrote from California: “Dear Peter, re the young woman lost… We do what we can for those in pain and pray that our love can seep through the protective chinks in their armor of fear and sad experience.  That is all we can do. I have, like you, lost so many to the darkness. I wonder if there is another world for tender souls who could not hold on any more.” 

• Maybe we need to push through the chinks of each other’s armor and insist on a conversation that begins with, “How are you really feeling. Let’s talk.”

Maybe we need to find more courage on our part to break the habit of silence around gnarly questions and reach out — especially to those young activists engaging in global issues guaranteed to cause feelings of grief. Whomever we touch touches us.

• On the phone, when first hearing about Krista’s body being found after she had gone missing, but not yet being told how or why she died, my mind flashed to the concurrent media news that was talking of a young woman, possibly abducted, possibly raped, possibly murdered. Was this Krista? My whole body started trembling with an empathic panic as I felt how, yet again, some unfortunate woman’s last minutes were filled with extreme terror at the hands of some deranged male. Maintaining breath those first few seconds on the phone was an effort.

When I heard that Krista was not murdered, but had taken her own life, I felt — strange as it seems — relief. Relief that, as painful as her tormented inner pain was to her in the moment of her jump to her death, there would not have been a crushing terror pulsing through her body resulting in an unwanted, un-chosen death.

• To Krista I pray: Somewhere over the rainbow way up high your heart rests in peace. It knows the goodness you achieved will never die.

• Jesus, according to the Bible, said that he was not his brother’s or sister’s keeper, meaning I suppose that ultimately we are all responsible, through free will, for our own actions.

Maybe, but I also hold to the belief that our present culture is inflicting abuse of such magnitude upon our young people that the more tender, caring, fragile souls among them can collapse more violently under this extra despair.

The added burden this generation carries because of a world under siege by the rapaciousness of environmental destruction, population growth and resource depletion has to increase the level of despair. A despair that, before globalization, was rarely encountered. (An exception would be the aboriginal tribes around the world that have been stripped of their connection to their lands. Are they healthy now?)

In the end, it is all about knowing how to nurture and love one’s sense of self whilst weaving and re-weaving connections between family and friends in real life and on FaceBook. This will enable each of us, and especially our younger activists, to stay alive with vibrancy and to stay the course as our global home undergoes massive changes.

Love

Fragile as a spider’s web
hanging in space
between tall grasses
it is torn again and again.
A passing dog
or simply the wind can do it.
Several times a day
I gather myself together
and spin it again.

Spiders are patient weavers.
They never give up.
And who knows
what keeps them at it?
Hunger no doubt
and hope.

May Sarton

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In place with the sacred

April 30, 2012

Yesterday, after a night of hail and brimstone, lightning, thunderous claps and the continuous roar of 33 foot waves during the darkest hours, I awoke to a quieter dawn and dressed to attend church.

Well, my sort of church.

Sunday sermon morning finds me sitting outside attending to my religious needs. The chalice of transubstantiation I hold is a mug of coffee; my vestments a down vest and woolen beanie. Through the trees my sacred bodily senses are witness to, and carried along by, the rows of rolling white pews shouting out the gospel: “Hallelujah. Praise be to the Earth and your unique place within her bosomed land.”

Who says religious services have to be confined to a walled mortar and brick temple, church or mosque?

Not at Roaring Beach, anyways.

Consider this… the “nave” of a church — defined as the body of a church from the inner door to the choir or chancel, usually separated from the aisles by pillars — is Latin for “ship”. As in navy, or naval. Guess who’s sitting on the poop deck?

The trinity to whom I bow down most reverentially, are these three clustered hakea blossoms. More sweetly pungent than any incense and definitely not as smoky, the congregation of each tiny bud’s fragrance sends samadhi through me with each olfactory inhalation. Soft pink nestled on perky white within a crown of thorns gets me every time.

And in the sacrificial altar bowl? Today, there are cucumbers and three wee squash picked fresh from my own garden of Eden.

If I have any sermon to offer it is this: when your despairing soul cries out in need and prayerfully pleads for a touch of the jubilant — to awaken and move your dreaded existence to a place of hope curtained with passion — get thee to your own garden.

In time of need there are angels aplenty in the guise of carrots, bees, clouds, wind. Found in the apse of your tilled patch of earth they will be tasted in garlic, fondled in dirt and guaranteed to stampede the heart when called upon.

Make compost, plant seeds and then, when the time is ripe, pull gently on those firm orangish shafts until release comes. Nothing tastes better than when handled by love.

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A thread in time

April 23, 2012

We all are filaments — conscious threads of photosynthetically dependent star dust moving intwined along the arrow of Time towards the Great Unfolding a trillion, trillion, trillion years henceforth.

We all partake in the weaving of this great Tapestry.

Let us begin to mend where frayed. Begin to build anew. Begin.

Even with the littlest, most insignificant thing, when it comes from love, we begin.

We begin with effort and the repose that follows effort, with silence or a solitary joy, with everything we do alone without anyone to join or help us, we begin building the Cosmic Story whom we will not live to grasp, any more than our ancestors could experience us. Yet they are in us, those long departed ones, they are in our inclinations, our moral burdens, our pulsing blood, and in gestures that arise from the depths of time.

Rilke (adapted)

So I begin.

A sculpture slowly unfolds within the minutes of the day. A day that leads to other days, to weeks, to months. Over the course of this sculpture’s making I will look out from beneath the roof of the studio and see the last autumn days play out, winter months come and go and spring meld into summer before completing what presently doesn’t even have a name.

So I begin.

I carve and look out into the fog. It’s softness calms me as I wrestle with creative worries. It reassures and tells me that the finished sculpture, like the hill top, might be hidden but it is there.

The path in the lower right corner indicates a possible direction with no clear end in sight. A beginning, it moves towards a solution and beckons me to start walking into the unknown as I have done so many times before.

And while stumbling my way along, I trust to stray within the mystery of creation. I willingly, with heart in hand, bumble lost.

Twenty stones are nestled into the body of a ancient slab of huon pine. Each stone has within it layers of the geologic past that reveal the inner seed that acts as kernel of the future. The wood itself will be carved to reveal a rippling wave of time that acts as carrier of past time.

The unborn being revealed through layers of history through time travel.

How fascinating.

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One family

April 16, 2012

I’m pretty much in touch with the “community” of Windgrove and nothing excites me more than to walk around with my camera and photograph discovered compositions of connected kinships everywhere. After 20 years of walking this land, I do feel an easy familiarity to all this; my local family. But what about the greater global community?

Martin Luther KIng, who was arrested in 1963 for taking part in a nonviolent civil rights protest in Birmingham, Alabama, wrote a famous letter from his prison cell responding to criticism of the demonstration and the role of “outsiders” in it:

“I am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. What affects one directly, affects all indirectly.”

There is a young boy, aged fifteen years, called Choeyang. He spent three days at Windgrove this past week. Nothing extraordinary in this as I receive lots of young people here, but this visit seemed more special than most because Choeyang is Tibetan, a Buddhist, lives in Dharamsala in northern India with his parents who run a foundling-home for Tibetan children, and, has only been in Tasmania for study for three months.

The relationship between myself, Choeyang, King and the plant and animals comprising the community of Windgrove should not be lost on anyone. We are all caught in an inescapable network of mutuality. As above, so below. As here, so there, so everywhere.

I lent Choeyang a wet suit and my boogie-board and “introduced” him (somewhat nervously) to the powerful thrill of the surf at Roaring Beach. Somehow this seemed literally and metaphorically appropriate for his young developing soul; a way to gain positive acquisitions to deal with the joys and cultural challenges of his global life (at the boarding school where he is staying there are a number of Chinese students).

What did young Choeyang go away with after spending time here? Who knows. But I do believe in an “Emergent” quality to life where one can never know whether our actions will have a decisive impact or not, but that by supporting one another, we do make this possibility more likely.

We don’t have to know outcome. Simply live life as a warrior of compassion and with a profound knowing of the interconnectedness of all life. Simply live life that is extravagantly accepting and forgiving of oneself and others.

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Why?

April 9, 2012

It wasn’t just “a game” that had me going back through the mists of time to conjure up a story of fossilized bones found at the far end of Roaring Beach.

I, therefore, must explain why it is that I spent, not just a casual afternoon writing last week’s blog for April Fool’s Day, but several days in its preparation, from the setting up of the photographs, researching the science of evolution and then putting it all together in a format that would be believable to some, yet potentially self informative and a chuckle to everyone.

Wrapped up in this blog of trying to fool people, is Nietzche’s idea that “in our time of doubt about all ‘certainties’, sustained intellectual discourse is hypocrisy.”

I’ve been doing an occasional April Fool’s Day “performance” for over 30 years in order to get people to understand the importance of accepting what it means to be the “fool” in everyday life.

For me, living an artful and/or Artist’s life requires one to be willing to “make a fool of himself/herself”.

When teaching full time years ago, one of my favorite lessons to first year art students — on their very first nervous day at university — was to have them go stand and talk gibberish in a public space for fifteen minutes. When we gathered back into the classroom I would ask how the experience was for them. “I felt foolish.” “I felt really vulnerable.” “I felt alone and unsure of what to do.” “I felt uncomfortable with all these people thinking I was nuts.”

In reply I said: “Get used to this. This is how your whole life will be if you’re serious about being an artist.”

When the muse visits and the artist rafts along on the exciting steady pulse of creative flow, this is exhilarating. This moment, however, is but the rare reward for a life mostly spent outside of one’s comfort zone. It may be rare, but this flash of insight will never visit the timid whose lives are dictated by conformity and living within the rules.

The Tarot cards recognize the importance of The Fool: quirky, crazy wisdom and allowing oneself to be open to vulnerability. All societies recognize the importance of the Fool, the trickster Coyote, the rascal Raven, Brer Rabbit. This character is a balance of both folly and wisdom, a teacher interested in the inversion of social norms, the breaking of boundaries and the shattering of cultural taboos.

In the context of last week’s blog, I would say: “If you want to learn artful behavioral strategies for coping with a changing world, look no further than the lesson of the Fool.”

Accepting the role of the Fool in one’s adult — supposedly mature — persona is what Jungian psychologist James Hillman calls “living the paradox of a puer/senex life”: a combination of youthful goofy irrelevance with teacherly wisdom; the blending of laughter with the serious.

Lastly, let me add that the April Fool’s Day blog entry had as much to do with my own personal growth as with any reader’s.

This is because I’ll do anything to learn how to speak more effectively for the forests. If I make an ass of myself but can save one tree, so be it.

So, no ancient bones to be found at Windgrove. But, hopefully, it is a land that speaks of kindness, compassion and a quirky sense of humour.

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